01 - The Dead Cat Bounce
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The Dead Cat Bounce
by
Sarah Graves
THE DEAD CAT BOUNCE
By SARAH GRAVES
THE DEAD CAT BOUNCE
A Bantam Crime Line Book / September 1998
Copyright 1998 by Sarah Graves.
ISBN 0-553-57857-X
This book is for John Ellerson Squibb.
dead cat bounce n. Stock market jargon for a small,
temporary rise in a stock's trading price, after a sharp drop
Thanks to all who helped: John Squibb, David and
Kathy Chicoine and Bullet 'n' Press, Bob and Ravin
Gustafson, Rebecca Robinson, John Foster, Charlie
Graham, Judy McGarvey, Sandi Shelton, David Orrell,
Kay Kudlinski, Amanda Clay Powers, Kate Miciak,
Al Zuckerman, and the friendly folks at the Kissing Fish
dive shop in Calais, Maine.
the dead cat bounce
1
My house is old, and rambling, and in some disrepair,
and I think that it is faintly haunted: a cold spot forming
inexplicably on the stairway, a scuttling in the hall. Then
of course there is the matter of the enigmatic portrait,
whose mystery I had not yet managed to resolve on that
bright April morning when, after living cheerfully and
peacefully in the house for over a year, I found a body in
the storeroom.
Coming upon a body is an experience, like childbirth
or a head-on collision, that takes the breath out of a
person. I went back through the passageway between the
kitchen and the small, unheated room where in spring I
kept dog food and dahlia bulbs, and where apparently I
now stored corpses.
"Ellie," I said, "there's a dead man out there on the
floor."
Ellie White looked up from the kitchen workbench
where she was planting pepper seeds, sprinkling a few
into each little soil-filled peat pot, to be set out later in
the cold frame. Ellie has coppery hair cut short around a
thin, serious face lightly dusted with freckles; her pale
blue eyes are so intense that even through her glasses, her
gaze makes you feel your X-ray is being taken.
Her index finger paused in the act of tamping soil onto
a pepper seed. "Who?" she asked.
Sometimes I think Ellie has formaldehyde in her veins.
For instance, when I moved to Maine I thought sill work
meant painting them, and if you have ever restored an
elderly house you will understand the depths of my innocence;
sill work is slightly less radical than tearing the
house down and starting over entirely, and almost as
expensive, and if you don't do it the old house ends up at
the bottom of the cellar-hole.
Ellie, upon hearing that this was what my old house
needed, merely remarked how lucky I was that I could
pay for it, because she knew of another woman whose
house had needed sill work, too, and that woman was
now living in the cellar-hole. Ellie's comment shut me up
pretty quickly, as she had intended, and I resigned myself
to getting the job done in spring, but along about March
I'd discovered that sill work was only the beginning.
There was also the poignant little problem of the rot-raddled
floor joists, and of the support beams holding up
the floor joists.
Or rather, not holding them up. "I don't know who.
He's lying face-down in the corner where everything sags.
I should have had that floor jacked up last autumn."
Ellie was wearing denim coveralls, a bright yellow
turtleneck with jade-green turtles satin-stitched onto it,
and shiny green gardening clogs over thick, yellow socks.
On anyone else the outfit would have been hilarious, but
Ellie is so tall and slender that she could wear a painter's
drop cloth, possibly with a couple of frayed dishrags
belted around it, and still look just like a Paris runway
model.
"I don't think the floor is the issue here," she said.
"That's because it's not your floor. The only thing
holding that floor up now is habit, and when the homicide
detectives and the medical examiner and I don't
know who all else start tramping in and out of there,
then that floor is going to ..."
She was looking at me as if I'd just arrived from Mars.
"Jacobia," she said, "I don't know what kind of law
enforcement you got used to, back in the big city where
you come from."
She picked up the telephone, dialed George Valentine's
number, and let it ring. "But in case you haven't
noticed, you're not in New York anymore. You're in
Eastport, Maine, three hours from Bangor and a heck of
a lot farther from anywhere else, and the only person
tramping in and out of that storeroom is going to be
George. That is, if he ever answers his phone. He was
over at my house earlier, but I don't know where he is
now."
Of course it was George's number. In Eastport,
George was it: if you had a fire, or a flood, or a skunk in
the crawl-space, George was the man you wanted, which
was lucky since the rest were out on fishing boats: dragging
for scallops, hauling lobster pots, or collecting sea
urchins, depending upon the season.
"I'm going out there," Ellie said, after George had
picked up at last and promised to be right over.
People in Eastport do not think the telephone grows
naturally out of the tympanic membrane, and some of
them will actually decide whether to answer it or not
based on what sort of news they are expecting. But
George always answered his telephone sooner or later on
account of being the clam warden, on call to make sure
diggers had valid clam licenses, chase poachers out of
forbidden clam areas, and spot-check the clams themselves
with his two-inch metal clam ring, through which
a legally harvestable bivalve must not be able to pass.
"I think," Ellie added, "we should make sure the man
is really dead."
This struck me as pointless, since an ice pick in the
cranium promised little in the way of future prospects.
But Ellie was determined; it was part of her downeast
Maine heritage, like being able to navigate in the fog or
knowing how to dress out a deer.
"It might be he's only wounded," Ellie said. "It might
be we can still do something for him."
Right, and it might be that next we could multiply
some loaves and fishes. When she had gone I ran a glass
of water and stood there by the sink, pondering whether
to drink it or not. Just breathing in and out suddenly
seemed to require a series of massive, separately considered
decisions, as if each small action of mine had
abruptly become huge compared to all the ones the dead
man was not taking.
Outside my kitchen window a flock of cedar waxwings
descended on the crab apple tree and began devouring
frozen fruit, their short, metallic cries creating a
happy clamor. A shower of snow as fine as salt fell
around them, whitening the snow already lying on the
ground, so their lime-green feathers and candy-corn beaks
stood out as brightly as paint drops.
Down at the breakwater, the big ship Star Verlanger
sounded her massive horn and cast off, loaded with
paper pulp, and the dockworkers jumped in their pickup
trucks and headed for a well-earned bottle of Narragansett
beer, no bottle of which the dead man would be
enjoying. I wondered if his absence would be noticed, or
if he was from away. Whichever; by tonight, news of his
death would be all over town.
That was what I thought when the whole thing began.
But back then, I didn't know the half of it.
2
My name is Jacobia Tiptree, and my ex-husband says
I am insane. I have proved this, he says, by giving up a
perfectly charming little townhouse on the upper east
side of Manhattan--complete with doorman, elevator,
and building superintendent--for a huge antique structure
eve
ry centimeter of which needs paint, plaster, or the
underpinnings required to hold up both. The roof leaks,
the gutters dangle, and the bricks in the chimneys are
quietly turning to sand; when the wind blows hard,
which it does very often here, the windows rattle as if
they are trying to jump out of their frames, and if you
put a marble down on the kitchen floor it will probably
roll forever.
I found the place on a warm August day when the
garden was clotted with raspberries and zinnias, poppies
and Michaelmas daisies whose blooms were wide as
saucers. I was coming back from Halifax and the kind of
contentious stockholders' meeting that sets one to wondering
how early man ever found his way out of the cave,
and why, considering his natural tendencies, he didn't
stay there, when on impulse I drove over the long,
curving causeway connecting Moose Island with the U.S.
mainland.
I bought my lunch of a sandwich and coffee at the
IGA, and walked all over town before sitting down on
the green-painted front steps of a big old white house
whose bare windows showed a shimmeringly vacant
interior. In front of the house I stood on tiptoe and
peered in, watching a patch of sunshine move slowly
across a pale maple floor that was badly in need of refinishing.
Someone had torn the carpeting down from the
stairs; the risers looked wormy with old nail holes.
I noted with surprise how certain I felt, how calm.
Later I found my way to a tiny storefront real-estate
office on Water Street, overlooking Passamaquoddy Bay,
and that evening when I drove back to the mainland, the
house belonged to me.
What were you thinking of? my ex-husband asked,
and so did my relatives and friends. Even my son
Sam looked doubtful, although at sixteen he had begun
looking doubtful about everything. With a brain surgeon
for a father and a money expert for a mother, he was
unhappily aware of the problem of living up to all the
brilliant genes he had supposedly inherited.
The trouble was, Sam's brains were not of the quick,
flashy variety so popular with Ivy League admissions
committees. He was the type who could take one look
at a broken washing machine, come back from the
appliance store with a part that cost five dollars, and
a little while later the washing machine would be fixed.
He could do the same with an ailing cat, or the gizmo
that makes (or doesn't make) a doorbell ring. What he
couldn't do was explain how to fix the washing machine,
or what sort of attention to give the cat; his perceptions
were visceral and immediate, not filtered by words and
numbers. They weren't particularly quantifiable, either,
unless you happened to have a broken washing machine.
Which is to say that despite every effort of mine, he
was flunking out of school, and so angry about it that he
had turned to a group of similarly estranged young outlaws,
each with a bad attitude and a ready supply of marijuana,
and I was worried about him.
"Just come and look at the place," I said. "Will you do
that? And if you don't want to, you don't have to stay."
"Yeah, right," he muttered. "Like I can go and live
with Dr. Doom."
That was what he had taken to calling his father, on
account of the dismal prognosis of most of his father's
patients; my ex-husband's operating room is a sort of
last-chance hotel for the neurologically demolished.
"Dr. Doom," I told my son, "would be delighted to
have you." Over my dead body, I thought but did not say.
Sam's father is a charming fellow when he wants to be,
but too many years inside other people's heads have convinced
him that he is an authority on all that goes on there.
Which he is not. When it comes to the sport of human
beingness, my ex-husband knows the rules but not the
game, and it is never his blood on the playing field. After
six months in the presence of his super-achieving father,
nothing would be left of Sam but a little pile of bones
and hair.
"But that won't be necessary," I told Sam, "because if
you don't like Eastport, I'm not going there, either."
Then I held my breath for three days: one while we
drove up Route 1 through Bucksport and Bar Harbor
and 1A through Milbridge toward Machias, and two
more while Sam auditioned Eastport. He explored
Wadsworth's hardware store, and pronounced its nuts-
and-bolts selection adequate. He stood on the wharves
where the cargo ships come in, the massive vessels looking
as incongruous as twenty-story buildings plunked
down in the midst of the tiny fishing village. He sat
on the bluffs overlooking the whirlpool, Old Sow--
the largest whirlpool in the Western Hemisphere--and
watched the diurnal tide rise its customary twenty-eight
feet, which is nine-point-two inches every ten minutes.
During this time I did not smell marijuana, nor did
I see the unhappy look I had grown accustomed to back
in the city: the look of a boy with a dozen extraordinary
talents, none of them valued or even recognized on
Madison Avenue, and by extension not in the rest of the
world either, because their possessor was unlikely to earn
enough money to buy a lot of expensive products.
On the fourth morning I found him sitting at the
oilcloth-covered table, in the big old barnlike kitchen
with the tall maple wainscoting and the high, brilliant
windows. He was drinking a cup of coffee and looking at
a set of papers, registration forms for the upcoming year
at Shead High School. Carefully, in the labored but rigorously
correct block printing that, at age ten, he had
finally managed to master, Sam had filled in all the
spaces except one.
Parent's signature, the line read. "I think," Sam said,
"that you should sign this." So I did.
And that, as they say, has made all the difference.
3
George Valentine came up the back steps, wearing a black
cap with Guptill's Excavating lettered on it in orange:
script. Dark-haired and with the milky-pale skin that
downeast Maine people have been passing on for generations,
George had the stubborn jaw, diminutive build,
and sharp, banty-rooster bearing of a man who, if he did
not always have a lot of other people's problems to solve,
would chronically be creating a lot of them for himself.
As it was, I had been depending on George since practically
the day I moved here, and while I was not convinced
that he could walk on water, I thought he would
probably take two or three steps before he went down.
"Miz Tiptree," George said, slapping his cap against
his leg and stomping snow off his boots. Outside the sky
had gone grey; to the west, past Carryingplace Cove and
the Moosehorn Refuge, loomed a wall of clouds as blue
and heavy as lead.
"George," I began, "I can't explain this. I don't even
know who that man is. I just found him a few minutes
ago and Ellie went out there to make sure he's really